• Spanish romantic painter and printmaker.
• He Studdied with Anton Raphael Mengs.
• During his Visit to Italy he worked as a street acrobat.
• He died and was buried on 16 April 1828 aged 82.
• The displayed painting is a crop from: Francisco José de Goya y Lucientes, Cats fighting, 1786.
• Next
Francisco José de Goya y Lucientes, Boy on a Ram, 1786-87
Original, Art Institute of Chicago. Visited in 2018. 
Francisco José de Goya y Lucientes, Boy on a Ram, 1786-87
Francisco José de Goya y Lucientes, Portrait of General José Manuel Romero, c. 1810
Original, Art Institute of Chicago. Visited in 2018. 
Francisco José de Goya y Lucientes, Portrait of General José Manuel Romero, c. 1810
Francisco José de Goya y Lucientes, Portrait of Isidoro Maiquez, c. 1807
Original, Art Institute of Chicago. Visited in 2018. 
Portrait of the Architect Isidro Gonzalez Velazquez (1801)
Original, Art Institute of Chicago (2018) 
Goya, Saints Justa and Rufina, 1817
Original, El Prado, Madrid. Visited in 2018.
Goya, Saints Justa and Rufina, 1817
Goya, The Capture of El Maragato, c. 1806
Goya, El Maragato Threatens Friar Pedro de Zaldivia with His Gun, c. 1806
Goya, Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun, c. 1806
Goya, Friar Pedro Wrests the Gun from El Maragato, c. 1806
Goya, Friar Pedro Clubs El Maragato with the Butt of the Gun, c. 1806
Goya, Friar Pedro Shoots El Maragato as His Horse Runs Off, c. 1806
Goya, Friar Pedro Binds El Maragato with a Rope, c. 1806
Original, Art Institute of Chicago. Visited in 2018. 
Goya, The Capture of El Maragato, c. 1806
Goya, Tale-Bearers - Blasts of Wind, plate 48 from Los Caprichos, 1797-99
Original, Art Institute of Chicago. Visited in 2018. 
Goya, Tale-Bearers - Blasts of Wind, plate 48 from Los Caprichos, 1797-99
Goya, Pretty Teacher! (Linda maestra!), 1797-1798
Original, Brooklyn Museum, New York. Visited in 2017.
Goya, “Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Terrejon,” 1815–16
Original, Brooklyn Museum, New York. Visited in 2017.
Goya, “Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Terrejon,” 1815–16
Goya, A Woman and a Horse,Let Someone Else Master Them,plate 10 from The Proverbs, c. 1819-24
Original, Brooklyn Museum, New York. Visited in 2017.
Goya, After Vice Comes Fornication,plate 4. from The Proverbs, c. 1819-24
Original, Brooklyn Museum, New York. Visited in 2017.
Goya, And So Was His Grandfather (Asta su abuelo), 1797-1798
Original, Brooklyn Museum, New York. Visited in 2017.
Goya, And They are Fierce (Y son fieras),plate 5. from The Disaster of War, 1810-14
Original, Brooklyn Museum, New York. Visited in 2017.
Goya, Blow (Sopla) (1799) Plate 69. from Los Caprichos.
Original, Brooklyn Museum, New York. Visited in 2017.
Goya, Charity (Caridad),plate 27. from The Disaster of War, 1810
Original, Brooklyn Museum, New York. Visited in 2017.
Goya, Do Not Lose Honour through Fear,plate 2. from The Proverbs, c. 1813-20
Goya, Charity (Caridad),plate 27. from The Disaster of War, 1810
Goya, It is nicely stretched (Bien tirada está.) 1797-98, Plate 17. from Los Caprichos
Goya, Charity (Caridad),plate 27. from The Disaster of War, 1863
Goya, Love and Death (El amor y la muerte), 1797-1798
Goya, Charity (Caridad),plate 27. from The Disaster of War, 1863
Original, Gloomy Premonitions of What Must Come to Pass (Tristes presentimientos de lo que ha de acontecer), plate 17. from The Disaster of War, 1810. Brooklyn Museum, Visited in 2017.
Goya, 'Not [in this case] either.' (Tampoco.), plate 36. from The Disaster of War, 1810
Goya, Nothing Could Be Done About It (Nohubo remedio), 1797-1798
Goya, Out Hunting for Teeth (A caza de dientes), 1797-1798
Original, Brooklyn Museum, New York. Visited in 2017.
Goya, Poor folly Two Heads Are Better Than One, plate 11 from The Proverbs (Disparate Pobre), c. 1819-24
Original, Brooklyn Museum, New York. Visited in 2017.
Goya, Ridiculous Folly, plate 3. from The Proverbs, c. 1819-24
Original, Brooklyn Museum, New York. Visited in 2017.
The Agility and Audacity of Juanito Apiñani in the Ring at Madrid.Plate 20 from The Art of Bullfighting, (c.1815–16)
Original, Brooklyn Museum, New York. Visited in 2017.
The Agility and Audacity of Juanito Apiñani in the Ring at Madrid.Plate 20 from The Art of Bullfighting, (c.1815–16)
The Daring of Martincho in the Ring at Saragossa, (c.1815–16)
Original, Brooklyn Museum, New York. Visited in 2017.
The Daring of Martincho in the Ring at Saragossa, (c.1815–16)
The Sleep of Reason Produces Monsters (El sueño de la razon produce monstruos), (1797-1798)
Original, Brooklyn Museum, New York. Visited in 2017.
The True Has Died (Murio la verdad),plate 79. from The Disaster of War (1810-1814)
Original, Brooklyn Museum-NY (2017)
Goya, They Carried Her Off! (Que se la llevaron!), 1797-1798. Plate 8 from Los Caprichos.
Original, Brooklyn Museum, New York. Visited in 2017.
What a Tailor can do! (Lo que puede un sastre!) (1799),Plate 52.
Original, Brooklyn Museum, New York. Visited in 2017.
What Courage!,plate 7.from The Disasters of War (1863)
Original, Brooklyn Museum-NY (2017)
Will she rise again (Si resucitará),plate 80. from The Disaster of War (1863)
Original, Brooklyn Museum-NY (2017)
You Can Not Look (No se puede mirar.),plate 26. from The Disaster of War (1810-20)
Original, Brooklyn Museum-NY (2017)
You Will Not Escape (No te escarparas), (1797-1798)
Original, Brooklyn Museum-NY (2017)
Here comes the bogey-man,(Que viene el Coco) (1797-1798) plate 3 from Los Caprichos
Original, Brooklyn Museum-NY (2017)
`They do not agree.' (No se convienen.),plate 17. from The Disaster of War (1810)
Original, Brooklyn Museum-NY (2017)
Los Caprichos
The celebrated picador Fernando del Toro draws the fierce beast on with his pique (c.1815–16)
Original, Brooklyn Museum-NY (2017)
The celebrated picador Fernando del Toro draws the fierce beast on with his pique (c.1815–16)
The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms (1815-1816)
Original, Brooklyn Museum-NY (2017)
The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms (1815-1816)
To Rise and Fall (1799)
Original, Brooklyn Museum-NY. Visited in 2017-19.
Where There's a Will There's a Way (A way of Flying),plate13 from The Proverbs (1813-20)
Original, Brooklyn Museum-NY. Visited in 2017-19.
Where There's a Will There's a Way (A way of Flying),plate13 from The Proverbs (1813-20)
Original, Prisoners executed by firing squads, reminiscent of The Third of May 1808.,plate 15 from The Disaster of War. Brooklyn Museum (2017)
Portrait of Don Tadeo Bravo de Rivero (1806)
Original, Brooklyn Museum-NY. Visited in 2017-19.
Portrait of Don Tadeo Bravo de Rivero (1806)
Attributed to Goya - Bullfight in a Divided Ring.
Original, MET-NY (2017)
Attributed to Goya - Bullfight in a Divided Ring.
Attributed to Goya - Majas on a Balcony (1800-1810).
Original, MET-NY (2017)
Attributed to Goya - Majas on a Balcony (1800-1810).
Pedro Mocarte, ca. (1805-6).
Original, MET-NY (2017)
Still life with dead hares,c.(1808-12)
Original, MET-NY (2017)
Ferdinand VII (1784-1833),When Prince of Asturias
Original, MET-NY (2017)
Ferdinand VII (1784-1833),When Prince of Asturias
Ignacio Garcini y Queralt (1752-1825),Brigadier of Engineers (1804)
Original, MET-NY (2017)
Ignacio Garcini y Queralt (1752-1825),Brigadier of Engineers (1804)
Sebastian Martinez y Perez (1747-1800), (1792).
Original, MET-NY (2017)
Sebastian Martinez y Perez (1747-1800),(1792).
Jose Costa y Bonells, Called Pepito (1810).
Original, MET-NY (2017)
Jose Costa y Bonells, Called Pepito (1810).
Josefa de Castilla Portugal y van Asbrock de Garcini (1804).
Original, MET-NY (2017)
Josefa de Castilla Portugal y van Asbrock de Garcini (1804).
Manuel Osorio Manrique de Zuniga (1784-1792), (1787-88).
Ferdinand VII (1784-1833),When Prince of Asturias
Manuel Osorio Manrique de Zuniga (1784-1792), (1787-88).
Style of Goya - A city on a Rock.
Original, MET-NY (2017)
Style of Goya - A city on a Rock.
Tiburcio Perez y Cuervo ,the Architect (1820)
Original, MET-NY (2017)
Tiburcio Perez y Cuervo ,the Architect (1820)
Self-Portrait,plate 1 from Los Caprichos (1799)
Original, MET-NY (2017)
Self-Portrait,plate 1 from Los Caprichos (1799)
Self -Portrait in a Cocked Hat (1790)
Original, MET-NY. VIsited in 2017--20.
Self -Portrait in a Cocked Hat (1790).
Cats fighting (1786)
Original, El Prado-Madrid. Visited in 2018.
Cats fighting (1786)
Children blowing up a bladder (1777-8)
Original, El Prado-Madrid. Visited in 2018.
Children blowing up a bladder (1777-8)
Dogs on a Leash (1775)
Original, El Prado-Madrid. Visited in 2018.
The Injured Mason (17786-87)
Original, El Prado-Madrid. Visited in 2018.
A garrochista. A Picador (1795)
Original, El Prado-Madrid. Visited in 2018.
A garrochista. A Picador (1795)
María Antonia Gonzaga, Dowager Marchioness of Villafranca (1795)
Original, El Prado-Madrid. Visited in 2018.
The San Isidor Meadow (1788)
Original, El Prado-Madrid. Visited in 2018.
The San Isidor Meadow (1788)
Atropos of the fates (1820-3)
Witches' Flight, c. (1798)
Original, El Prado. Visited in 2018.
The Forge, c. (1815-20)
Original, Frick Collection.Visited in 2018.
The duke and Duchess of Osuna and Their Children (1787-8).
Original, El Prado-Madrid. Visited in 2018.
The duke and Duchess of Osuna and Their Children (1787-8).
The Infanta dona Maria Josefa (1800)
Original, El Prado-Madrid. Visited in 2018.
The Infanta dona Maria Josefa (1800)
The infante don Francisco de Paula (1800)
Original, El Prado-Madrid. Visited in 2018.
The 12th Marchioness of Villafranca painting her Husband (1804)
Original, El Prado-Madrid. Visited in 2018.
The Marchioness of Santa Cruz (1805)
Original, El Prado-Madrid. Visited in 2018.
The Clothed Maja (1800-07)
Original, El Prado-Madrid. Visited in 2018.
The Naked Maja (1795-1800)
Original, El Prado-Madrid. Visited in 2018.
The Duke of Osuna (1790)
Original, Wadsworth Atheneum of Art, Hartfrord. Visited in 2019.
Bartolomé Sureda y Miserol, c. (1803-1804)
Original, NGA-DC (2018)
Bartolomé Sureda y Miserol, c. (1803-1804)
Señora Sabasa Garcia, c. (1806-1811)
Original, NGA-DC (2018)
Señora Sabasa Garcia, c. (1806-1811)
Portrait of Don Ramón Satué (1823)
Original, Rijksmuseum (2018)
Portrait of Don Ramón Satué (1823)
The Seesaw (1791-92)
Original, Philadephia Museum of Art (2018)
The Seesaw (1791-92)
Portrait of the Marquesa de Santiago (1804)
Original, GETTY-LA (2018)
Portrait of the Marquesa de Santiago (1804)
Bullfight, Suerte de Varas (1824)
Original, GETTY-LA (2018)
Bullfight, Suerte de Varas (1824)
Doña Isabel de Porcel (before 1805)
Original, The National Gallery London (2018)
Doña Isabel de Porcel (before 1805)
The Duke of Wellington (1812-14)
Original, The National Gallery London (2018)
The Duke of Wellington (1812-14)
A Picnic (1785-90)
Original, The National Gallery London (2018)
A Picnic (1785-90)
A Scene from 'The Forcibly Bewitched' (1798)
Original, The National Gallery London (2018)
A Scene from 'The Forcibly Bewitched' (1798)
Portrait of Asensio Julia (1798)
Original, Thyssen-Madrid (2018)
Portrait of Asensio Julia (1798)
Portrait of Ferdinand VII (1814-15)
Original, Thyssen-Madrid (2018)
Portrait of Ferdinand VII (1814-15)
Ferdinand VII in Court Dress (1814-15)
Original, El Prado - Madird. Visited in 2018.
Don Miguel de Lardizabal (1815)
Original, Sternbersky Palac. Visited in 2017-2019.
Don Miguel de Lardizabal (1815)
Winter Scene, c. (1786)
Original, Art Institute of Chicago. Visited in 2018. 
Winter Scene, c. (1786)
The Snowstorm or Winter (1786)
Original, El Prado. Visited in 2018.
Saturn (1820-23)
Original, El Prado-Madrid. Visited in 2018.
Two Old Men (1820-23)
Original, El Prado-Madrid. Visited in 2018.
Two Old Men eating (1820-23)
Original, El Prado-Madrid. Visited in 2018.
Judith and Holofernes (1820-23)
Original, El Prado-Madrid. Visited in 2018.
The Colossus (1818-1825)
Original, El Prado-Madrid. Visited in 2018.
The Inquisition (1820-23)
Original, El Prado-Madrid. Visited in 2018.
Witches' Sabbath, or the Great He-Goat (1820-23)
Original, El Prado-Madrid. Visited in 2018.
A Fight at the Venta Nueva (1777)
Original, El Prado-Madrid. Visited in 2018.
A Fight at the Venta Nueva (1777
The 2nd of May 1808 in Madrid or “The Fight against the Mamelukes” (1814)
Original, El Prado-Madrid. Visited in 2018.
The 3rd of May 1808 in Madrid, or “The Executions” (1814)
Original, El Prado-Madrid. Visited in 2018.
The Threshing Ground or Summer (1786)
Original, El Prado-Madrid. Visited in 2018.
The Strolling Players (1793)
Original, El Prado-Madrid. Visited in 2018.
The Strolling Players (1793)
Gossiping Women and dates from 1792-96
Original, Wadsworth Atheneum of Art, Hartfrord. Visited in 2019.
Dead Turkey (1808-12)
Original, El Prado-Madrid. Visited in 2018.
Portrait of Don Juan Antonio Cuervo (1819) 
Original, The Cleveland Museum of Art. Visited in 2020.
Portrait of Don Juan Antonio Cuervo (1819)
Portrait of Don Juan Antonio Cuervo (1819)
Saint Ambrose, c. (1796-99)
Original, The Cleveland Museum of Art. Visited in 2020.
Saint Ambrose, c. (1796-99)
Don Vicente Isabel Osorio de Moscoso y Álvarez de Toledo, Conde de Trastámara, c. (1787-88)
Original, The Museum of Fine Arts, Houston. Visited in 2019.
Don Vicente Isabel Osorio de Moscoso y Álvarez de Toledo, Conde de Trastámara, c. (1787-88)
Still Life with Golden Bream (1808-1812)
Original, The Museum of Fine Arts, Houston. Visited in 2019.
Still Life with Golden Bream (1808-1812)
